My mother’s internet handle is a variation of “green thumb”, and she can keep any type of flora alive. I, on the other hand, possess an uncanny ability to completely suck the life out of plants. My co-workers are constantly stepping in and tsk-tsk’ing me as they save whatever poor green living thing is gasping for breath in my office. People who give me plants are handing them a death sentence.
I have kept only two plants alive in my lifetime, and each has a story. When my ex-husband and I first moved in together, we bought two hanging plants, which I named LaFern and Shirley. They were philodendrons, and were of a hearty nature. Left to my devices, however, they slowly faded. I had them hanging side by side in a double window of the apartment so they would get plenty of sun, which was great, but probably just dried them out, which was bad. Anyway, cue our apartment fire. Our particular apartment had been totaled by water and smoke damage, but I was able to go up to it about a month after the fire to determine if anything was salvageable.
I walked in and was greeted by the contents of our two hall closets spilled across the floor. Lying in the center of the chaos, unscathed except for discoloration from the smoke, was a Christmas ornament my then fiancé had gotten me for our first Christmas together. Two chipmunks smiled at me from inside an acorn adorned with an “Our First Christmas” banner. I pocketed them and went into the living room, where I saw Shirley on the floor, dirt scattered, leaves yellow, dead as a doornail.
Then I looked up and saw LaFern, still hanging in the window, in a shaft of sunlight, leaves green and dangling, looking sturdier and healthier than she ever had under my watch. The buildings inspector and I marveled at this small miracle. Unfortunately for her, I brought her to our new home, where she followed in the path of her sister Shirley.
My next plant grew from a cutting from a Chinese Evergreen that was given to my mother when she was pregnant with me. The gifter was the mother of a brother and sister duo with whom my mom was close – Rod and Pam. This mom also gave me my baby blanket. My mother kept this plant alive for 32 years and gave me an offshoot when I bought my house in 2007. Lord only knows how I kept that poor thing alive through the turmoil of the next few years, but I did. It never sprouted more than seven or eight leaves, it leaned precariously to one side, and it had a pathetically developed root system that left it about as firmly anchored as I was at the time. When I brought it to my new home on the lake in 2016 it had 5 leaves. I replanted it. I shored up the stalks with kabob skewers and tiny little hair clips for stability. I sat it in the sun and finally began to water it regularly and give it the attention it deserved. I gave it a view of the lake. I treated it as I was finally treating myself.
And it stands straight and tall now. It has over 60 leaves. It has a second chance.
But I didn’t start this to write about my plant success. I grew up in a house full of plants, with a green-thumbed mother, and the truth is that I actually hate plants and am skeptical of individuals who dedicate a lot of time to indoor plants.
My childhood home at one point had a room devoted entirely to plants. It was a small front room full of windows, where all of the plants from the back porch came to live during the winter months. To my young nose, the room smelled like dirt and decay rather than a room full of living things. Plants were in stands and on makeshift shelves. I am convinced that it is impossible to tastefully display a houseplant. I struggle with this task with my Chinese Evergreen – I am not immune.
This room stood until my parents decided to expand the living room and tore down the wall that separated the two rooms. I remember that we were allowed to draw on the wall before it came down. I drew flowers. My dad drew the nuclear power warning symbol, and the wall was destroyed.
My mother’s friends had plants. My father’s family had plants. I remember my grandmother’s house as a jungle with a mango tree in the front yard and an overgrown backyard that you reached through a mess of a room through the back. The first time I walked through that room I remember looking to my left and thinking that it extended on and on, full of more boxes and plants, until I realized that the other side of the room was dusty, and that I was in it, and that it was only a reflection in a mirror. That, and a book of limericks that my grandfather published that were kept on the mantle out of my reach, are the only things I remember about my grandparents’ Miami house.
In contrast, I remember several houses of my father’s sister Joan’s, from her houseboat, to her country house, to her small house in the city of Charlotte. All of her homes were studies in plants and tapestries, incense and paintings of nudes.
Joan is actually the person who got me thinking about plants. Most of my family is out of contact with her, having been drained by her borderline personality disorder that is now exacerbated by her traumatic brain injury. Periodically I’ll hear from her, and every now and then I see her pop up in the form of a comment on one of my relative’s Facebook posts. Recently, curiosity got the better of me and I checked out her page.
There were pictures of plants. So, so many plants. I have always felt touched against my will in Joan’s presence, as the people who actually did so were individuals she brought into my life. She herself touched me in intangible ways that were intrusive and hurtful. And one of the pictures I saw reached out and touched me in a way that caused a visceral reaction of pain and the reminiscence of regret, of a childhood in part lost and aged too soon.
Dust motes are visible in the sunlight peering through a large dirty windowpane onto a black wrought-iron shelving unit. Only the top two shelves are in view, but that is enough to pull me back at least 35 years.
The windowpane is covered with dust and fingerprints and time, creating a hazy sunbeam for the plants to try to photosynthesize. The shelving on which the plants sit is, as mentioned, wrought iron. It is painted black and I can guarantee that in places that paint is peeling and water has infiltrated and created orange rust, the once smooth metal now mottled and rough. The wrought iron poles for the shelves are just far enough apart for one to have to be careful when setting down a plant, to ensure that it balances on the crossbars and doesn’t tilt over. There are twists and curls of wrought iron on the back of the shelves and the size is off – not enough to make it ornate, just enough to keep it from having clean lines.
There are five pots on the shelves, two on the upper and three on the lower, and to the left of the frame are the stalks of an out-of-control aloe plant. Whatever stand that behemoth is sitting on is at least four feet off the ground. The arms of the aloe plant reaching into the picture are at least two feet long and hang limply – not dead, but not decorative.
None of the pots match. Two of them sit directly on the shelves, two sit on unmatched plates, and the fifth, the one that really gets me, sits in one of the plastic dishes that are often sold with plants and then discarded in exchange for a more permanent solution. This plant has yet to find a permanent solution.
The top shelf houses an amaryllis with two red flowers, one proud and tall and at the top of the stalk. A debutante flower. The other appears to be blooming directly from the dirt. I’ve seen dozens of amaryllis in my lifetime. I have never seen one flowering at the bottom of a stalk. Has this flower given up? Is it the world’s shortest amaryllis stalk? Is it the ultimate lesson of “bloom where you’re planted”? Because I’m not entirely on board with “bloom where you’re planted”. I mean, make the best of a situation, yes. But if you’re sitting in shit, don’t just look around and say, “well, guess this is it”, and screw up your energy and bloom – fucking move. Look for an option. The other plant on the top shelf appears to be a philodendron. It’s stalky and strong and non-descript. It kind of looks like Mother Nature took the leaves and stirred them up with her pointer finger. They appear to be clustered around something in the middle of the pot, but it’s not clear what that is. This plant’s pot is sitting in a plastic dish that I hate. I imagine it is old now, and has succumbed to light and heat and time and has cracked.
The second shelf has the three pots on the size scale of the three little bears, and some odds and ends I can’t make out. The odds look like rocks with tea bags attached to the ends. For all I know, they are rocks with tea bags attached to them. I’m not going to speculate. The Papa Bear pot appears to hold some sort of weed. Not the smoking kind – the kind one would pull up and destroy. There does appear to be one random leaf on a very long stalk which could be coming from this pot, but it’s more likely reaching out from the Baby Bear pot. At least that’s what I’m hoping, because otherwise the Baby Bear pot is just full of dirt. Mama Bear’s pot appears to have another philodendron, this one less swirly and arguably the most appropriately shaped plant in the picture.
I can smell the moisture in this room. I can see the dampness on the floor as Aunt Joan waters these plants with a watering can, though the room is indoors, and spills water on the floor. Or overwaters, and the excess flows out of the bottom of the pots and straight onto the floor, or overflows the mismatched plates, or seeps through the cracks in the old, brittle plastic dish under the plant on the top shelf.
I have left the crowning glory of the picture for last. In the center of the top shelf, so incongruent that it crosses over the line into perfection, is an ivory-colored, anatomically correct statue of a naked man standing with one hand slightly extended toward the viewer. The statue appears to be dirty, though maybe those are shadows. I’m going with dirty. It looks as if it were dug up and placed amongst this group of misfit plants, resurrected to complete the picture and provide a story for the guest tour through this room.
“Yes, thanks, I like the statue too. I found it out digging in the garden and he just seemed at home here.”
As a child with experience with the male anatomy, being in the room with the statue and adults would have made me very uncomfortable. I would have felt revealed, like everyone could tell I knew about that part of men and boys. I felt the same way around my Aunt Joan’s multiple nude paintings – where should I look? Can I look at the paintings? Do I look away from them? If I look at them will everyone see on my face that someone has touched me in those places? If I don’t look, will everyone know that I don’t need to look because I am already so familiar with all of this?
There are so many elements of my childhood in the picture. The dusty windows from houses we would visit where the only glass that mattered was the windshield separating the motorcycle rider from the road. The shelving, designed to allow water from a watering can to go from one plant to the one below it, but not impervious to the negative effects of this. The care was there, but it was loose, and there was bound to be some collateral damage. The mismatches, the dysfunction, the over- and undergrowth – all visible but unaddressed. Unspoken but not unmentionable – the ground-level blossom, the specially potted weed, the pot of dirt that might have been something, might still be something, may never have had a chance.